The Monday Morning Building Product Advisor
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Itâs not during the first cold call, the first handshake, or even when the project goes out to bid.
It happens while youâre still talking about product features and performance numbers. Somewhere in the middle of that, up inside my architect-shaped melon, Iâm thinking about something very different from what you might expect.
Iâm not asking myself, âIs this product good?â I usually know that already.
Instead, Iâm wondering, âCan I defend my choice if something goes wrong?â
Most reps donât realize Iâm asking that question. But itâs the one that decides if your great presentation leads to a real project, or just a polite âIâll keep it in mindâ and a brochure that never gets opened.
This is whatâs called your âWhy True?â problem.
This is also your biggest opportunity, if youâre willing to think it through. Today, Iâll show you what this silent evaluation looks like from my side, and how you can pass it.
Letâs get rockinâ.
When architects specify a product, itâs more than a purchasing recommendation.
When I specify a product, Iâm putting my professional credentials and often my firmâs E&O liability on the line, promising the product will work as described. If it fails, Iâm not just embarrassed⌠I could face contractor disputes, client complaints, insurance claims, or worse.
My license is attached to every decision I put in a set of construction documents.
So when you tell me your product is better than the competition, I want to believe you. But part of my mind is always focused on whether I can defend this decision.
Iâm not asking, âIs this chucklehead telling the truth?â [Thatâs a bit harshâŚ]
Instead, Iâm thinking, âIf I had to explain this choice to my client, contractor, or insurance carrier, what would I say?â Iâm making this judgment even while youâre presenting.
Most reps donât even realize this is happening.
But since youâre reading this and now know it exists, youâve taken the first step toward passing it.
Itâs easy to agree with this idea, then go back to your usual approach.
So letâs make sure itâs clearâŚ
Hereâs what âmarketing proofâ sounds like:
âOur system has been tested to exceed ASTM standards.â
But, evidence sounds more like:
âHereâs the third-party lab report from SGS showing our system tested at 1.8x the required load. Iâd be happy to send you the full document.â
Itâs the same claim, but it carries a completely different weight.
Marketing proof sounds like:
âWeâve been specified on hundreds of projects.â
Evidence sounds like:
âThereâs a completed aquatic center about 40 minutes from here thatâs been running our waterproofing system for 6 years through freeze-thaw cycles. I can get you the project architectâs contact information if you want to call them.â
Again, itâs the same idea. One is just a talking point, while the other is something an architect can actually act on.
Hopefully, you can see the pattern: Proof that comes from you feels like marketing. Proof from an independent source (a lab, a third-party certifier, another architect, or a completed building they can visit) feels like evidence.
Architects are trained to evaluate evidence on every project. When you bring us real evidence, youâre speaking our language. If you only bring talking points and call them proof, we notice even if we donât always say so.
The good news is that most reps donât bring real evidence. So when you do, youâll stand out right away.
I mentioned this briefly last week, but letâs go into more detail.
Nothing answers âWhy True?â better than showing an architect a completed installation of your product. I donât mean a showroom or factory [though those are nice to see too]. I mean a real building, in use, under conditions like the ones Iâm designing for.
Hereâs why it works so well.
When I can stand in a space and see your product performingâŚ
The question of believability answers itself. Thereâs no claim to judge. Itâs just the product, working right in front of me.
It also does something more subtle.
It shows me that other architects (my peers with the same responsibilities) made this decision before me, and it worked. Thatâs a kind of social proof a brochure canât match.
If you can say, âIâd love to show you a project we did with a firm like yours, about 20 minutes from here,â youâll have a much better conversation than if you just hand over a spec sheet. One approach leads to your brochure being ignored; the other leads to a productive follow-up.
If youâre not already keeping track of completed local installations to show architects, start now. Itâs one of the most valuable things you can do, and very few reps do it regularly.
If you have experience in architecture, construction, or building systems (even if it was years ago), that matters to architects. Itâs not that it makes you more likable (though it might). It changes how we receive your claims.
If a rep without technical experience says, âThis product performs better in high-humidity applications,â architects hear a sales pitch. But if youâve worked on buildings and say the same thing, we hear a professional opinion. The words are the same, but the second version has real credibility.
But this only works if you use your background the right way.
If you mention your background as a credential, like saying, âIâm actually a trained architect myself,â it can feel forced. But if you show your experience through how you talk, it becomes real proof.
So, whatâs that look like?
Show your understanding, donât just say it. If I feel like you understand my challenges, Iâll trust your product claims more.
Thatâs because you proved it through your actions.
Thatâs the real benefit of getting the âWhy True?â question right.
Once an architect truly trusts that your claims are defensibleâŚ
And once I have evidence I can share with a client, contractor, or colleagueâŚ
The âWhy You?â conversation gets much shorter, and the âWhy Now?â conversation can actually happen. Skepticism is costly. Every minute you spend addressing doubt is a minute youâre not helping the architect make a decision.
Next week, weâll wrap up the series with âWhy Now?â and why this part is often mishandled. Most urgency in product sales isnât real⌠Architects know it, and it undermines everything else. Iâll show you what real urgency looks like and how to use the project timeline to close it out.
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âThat's it for this week!
Here's to building more than just buildings, and see you next week,
Neil "Danger" Sutton
âArchitect | Speaker | The Product Rep Coach
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P.S. Do you really want inside an architect's head?
When youâre ready, there are 3 ways you can start working with me:
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âIf this was forwarded to you, go to â mmbpa-newsletter(dot)carrd(dot)co â so you donât miss the next lesson.
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